Romance

The Strange Love of Martha Ivers (1946)

4/5 (2)

“The Strange Love of Martha Ivers” is a film noir released in 1946, directed by Lewis Milestone. Set in a small industrial town, the movie tells a gripping tale of love, deceit, and the consequences of past actions.

The story begins in 1928 when Martha Ivers, played by Barbara Stanwyck, is a young girl living under the oppressive rule of her wealthy and influential aunt, Mrs. Ivers. One fateful night, Martha’s life takes a dark turn when she accidentally kills her aunt during an altercation. Walter O’Neil, a young boy who witnesses the incident, keeps silent to protect Martha.

Years later, Martha is married to Walter, portrayed by Kirk Douglas, who has become a respected and ambitious district attorney. However, their marriage is loveless and troubled. Sam Masterson, played by Van Heflin, a drifter with a troubled past, returns to town and reignites a childhood romance with Martha. Their rekindled relationship becomes complicated as secrets from the past resurface.

The film explores themes of guilt, manipulation, and the enduring consequences of one’s actions. As Martha’s hold on power and wealth strengthens, she uses her influence to control those around her, including Walter. Sam becomes entangled in a dangerous web of deceit as he uncovers the truth about the night Martha’s aunt died.

As tensions rise and relationships become strained, the characters are faced with choices that will determine their fate. The film builds towards a climactic confrontation where past sins and hidden truths are revealed, leading to a tragic and gripping finale.

“The Strange Love of Martha Ivers” stands out for its dark and atmospheric visual style, capturing the mood and tone of classic film noir. The performances by the cast, particularly Barbara Stanwyck in the complex role of Martha, contribute to the film’s gripping and suspenseful atmosphere.

Overall, “The Strange Love of Martha Ivers” is a compelling film noir that delves into the complexities of love, power, and the consequences of one’s actions. It presents a morally ambiguous tale of twisted relationships and the haunting effects of past choices, showcasing the dark underbelly of a seemingly idyllic small town.

Directors:
Lewis Milestone

Writer:
Robert Rossen, John Patrick, Robert Riskin

Stars:
Barbara Stanwyck, Van Heflin, Lizabeth Scott

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Our Town (1940)

4/5 (1)

“Our Town” is a film adaptation of the renowned play written by Thornton Wilder. Directed by Sam Wood, the movie was released in 1940. Set in the fictional town of Grover’s Corners, New Hampshire, the story explores the lives of ordinary people and reflects on the universal themes of life, love, and mortality.

The film begins by introducing the town and its inhabitants, with a particular focus on two families—the Gibbses and the Webbs. The central characters are George Gibbs (played by William Holden) and Emily Webb (played by Martha Scott), who are childhood friends and eventually fall in love.

As the narrative unfolds, it highlights various everyday occurrences and rituals in the town, such as family breakfasts, school days, and community gatherings. The play is known for its minimalistic stage design, and the film adaptation maintains this simplicity, often using narration to fill in details and provide context.

The story deepens when George and Emily decide to marry, and the film delves into the challenges and joys of married life. However, the focus shifts to the concept of mortality as Emily tragically passes away during childbirth. The narrative takes a reflective turn as Emily finds herself in the afterlife, observing the living world and realizing the value of even the smallest moments in life.

In the final act, Emily returns to a day in her past, choosing to relive her 12th birthday. Through this experience, she grasps the preciousness of life and the fleeting nature of time. The film culminates in a poignant message about appreciating the present moment and cherishing the simple joys of existence.

“Our Town” is celebrated for its profound exploration of the human experience, its poignant dialogue, and its examination of the beauty found in the ordinary aspects of life. It reminds viewers of the importance of seizing the present and cherishing the connections and moments that shape our lives.

Please note that as an AI, I cannot watch films or provide personal opinions on them. The above summary is based on available information about “Our Town.”

Directors:
Sam Wood

Writer:
Thornton Wilder, Frank Craven, Harry Chandlee

Stars:
William Holden, Martha Scott, Fay Bainter

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Cyrano de Bergerac (1950)

4/5 (1)

“Cyrano de Bergerac” is a 1950 film adaptation of the famous play by Edmond Rostand. Directed by Michael Gordon, the film stars José Ferrer in the titular role and showcases the tragic and romantic story of Cyrano de Bergerac.

The film is set in 17th-century France and follows the life of Cyrano, a talented poet, and swordsman. Cyrano is known for his wit, intelligence, and skill with words, but he is plagued by his unusually large nose, which he believes makes him unworthy of love. Despite this, Cyrano is deeply in love with his cousin, Roxane (played by Mala Powers).

However, Roxane is infatuated with the handsome but dim-witted Christian (played by William Prince). To help Christian woo Roxane, Cyrano offers his own poetic talents, composing love letters and expressing his heartfelt emotions on Christian’s behalf. Through this act, Cyrano pours his own feelings of love into words that Christian cannot articulate.

As Cyrano continues to conceal his true identity and express his love through Christian, he becomes tangled in a web of deception, love triangles, and tragic circumstances. The story explores themes of love, honor, self-sacrifice, and the conflict between inner beauty and external appearance.

The film showcases José Ferrer’s powerful and memorable portrayal of Cyrano, capturing the character’s wit, vulnerability, and internal turmoil. Ferrer’s performance earned him an Academy Award for Best Actor, making him the first Hispanic actor to win the prestigious award.

“Cyrano de Bergerac” is a poignant and timeless tale of unrequited love and the power of words. It remains a classic adaptation of the original play and is celebrated for its engaging performances and its exploration of themes that resonate with audiences to this day.

Directors:
Michael Gordon

Writer:
Edmond Rostand, Brian Hooker, Carl Foreman

Stars:
José Ferrer, Mala Powers, William Prince

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The Zero Hour (1939)

3/5 (1)

“The Zero Hour” is a crime drama film released in 1939, directed by Sidney Salkow and starring Otto Kruger, Karen Verne, and Cedric Hardwicke.

The story centers around a wealthy businessman named John Ashmore (Otto Kruger), who is kidnapped by a group of criminals led by a man named Steve (Cedric Hardwicke). The kidnappers demand a ransom of $500,000, and threaten to kill Ashmore if their demands are not met.

As the police race against time to locate the missing businessman, Ashmore’s wife Sylvia (Karen Verne) takes matters into her own hands and hires a private detective named McBride (Ralph Bellamy) to help her track down her husband.

Through a series of twists and turns, the characters eventually uncover the truth behind the kidnapping and work together to bring the criminals to justice.

Overall, “The Zero Hour” is a suspenseful and well-crafted crime drama that keeps audiences on the edge of their seats from beginning to end. Its themes of greed, deception, and redemption make it a compelling and thought-provoking film that still resonates with audiences today.

Directors:
Sidney Salkow

Writer:
Garrett Fort

Stars:
Frieda Inescort, Otto Kruger, Adrienne Ames

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Calendar Girl (1947)

4/5 (2)

“Calendar Girl” is a musical film released in 1947, directed by Allan Dwan and starring Jane Frazee, William Marshall, and Gail Patrick.

The story follows three singers – Angie (Jane Frazee), Carol (Lynne Roberts), and Betty (Virginia Grey) – who are trying to make a name for themselves in the entertainment industry. When they receive an offer to perform in Miami, they embark on a cross-country trip by car.

Along the way, they encounter a variety of colorful characters and find themselves in a number of comedic situations, including a run-in with a group of gangsters and a misadventure involving a runaway truck.

When they finally arrive in Miami, the girls must work to overcome their differences and band together to win a talent competition that could launch their careers.

Throughout the film, the characters perform a number of catchy musical numbers, including “I’m Always Chasing Rainbows” and “Miss You”.

Overall, “Calendar Girl” is a fun and lighthearted musical that showcases the talents of its cast and provides audiences with a nostalgic glimpse into the world of mid-century entertainment. Its themes of friendship, perseverance, and the pursuit of dreams make it a timeless classic that still resonates with audiences today.

Directors:
Allan Dwan

Writer:
Mary Loos, Richard Sale, Lee Loeb

Stars:
Jane Frazee, William Marshall, Gail Patrick

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The Scarlet Letter (1934)

3/5 (1)

“The Scarlet Letter” is a film adaptation of Nathaniel Hawthorne’s classic novel of the same name, released in 1934 and directed by Robert G. Vignola. The film stars Colleen Moore, Hardie Albright, and Henry B. Walthall.

The story is set in Puritan New England in the mid-17th century and follows the life of Hester Prynne (Colleen Moore), a young woman who is condemned by her community for committing adultery and forced to wear a scarlet “A” on her chest as a symbol of her shame.

As Hester struggles to rebuild her life and raise her daughter, Pearl, she must also contend with the wrath of her vengeful husband, Roger Chillingworth (Henry B. Walthall), who seeks to punish her lover, the Reverend Arthur Dimmesdale (Hardie Albright).

The film explores themes of sin, guilt, and redemption, as well as the destructive power of societal judgment and ostracism. It also highlights the strength and resilience of the human spirit in the face of adversity.

Overall, “The Scarlet Letter” is a powerful and thought-provoking adaptation of Hawthorne’s novel that delves into the complexities of human nature and morality.

Directors:
Robert G. Vignola

Writer:
Nathaniel Hawthorne, Leonard Fields, David Silverstein

Stars:
Colleen Moore, Hardie Albright, Henry B. Walthall

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The Great Gabbo (1929)

3/5 (1)

“The Great Gabbo” is a pre-Code musical drama film directed by James Cruze and released in 1929. The movie tells the story of Gabbo, a talented ventriloquist who is obsessed with his dummy, Otto.

As Gabbo’s fame and fortune grow, his mental state begins to deteriorate, and he becomes increasingly abusive towards his colleagues and loved ones. His relationship with Mary, his assistant and love interest, becomes strained as Gabbo’s behavior becomes more erratic and unpredictable.

Despite his talent, Gabbo’s ego and insecurities ultimately lead to his downfall, as he alienates everyone around him and loses his grip on reality. The movie features several musical performances, including a memorable rendition of “I’m Laughing” by the ventriloquist and his dummy.

“The Great Gabbo” is a haunting and atmospheric film that explores themes of obsession, delusion, and the destructive power of fame. It is a rare example of a pre-Code film that deals with mature and controversial themes, and it remains a cult classic among fans of early Hollywood cinema.

Directors:
James Cruze, Erich von Stroheim

Writer:
Ben Hecht, Hugh Herbert

Stars:
Erich von Stroheim, Donald Douglas, Betty Compson

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The Long Shot (1939)

3/5 (1)

In the film “The Long Shot” (1939), Henry Sharon is a struggling stable owner who is about to lose everything to his rival Lew Ralston. With no other options, Sharon decides to fake his own death and leave his prized horse, Certified Check, to his niece Martha.

Martha, played by Virginia Grey, and her friend Jeff Clayton, played by Johnnie Davis, start entering Certified Check in races, but the horse always loses. After receiving a tip that the horse dislikes running near the rail, Martha and Jeff begin to train Certified Check differently.

Their efforts pay off when they are given an outside post for the big stakes race at Santa Anita, giving the horse a legitimate shot at winning. However, they must keep Certified Check out of sight to prevent Ralston from sabotaging their chances.

The film is a thrilling underdog story about the perseverance of Martha and Jeff as they try to save their family’s stable and keep their beloved horse safe.

Directors:
Charles Lamont

Writer:
Ewart Adamson, Harry Beresford, George Callahan

Stars:
Gordon Jones, Marsha Hunt, C. Henry Gordon

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Waltzes From Vienna (1934)

3/5 (1)

“Waltzes From Vienna,” also known as “Strauss’ Great Waltz,” is a British musical film directed by Alfred Hitchcock and released in 1934. The movie is a fictionalized account of the early life of composer Johann Strauss II.

The story takes place in 19th century Vienna, where Johann Strauss II (played by Esmond Knight) is a struggling musician trying to make a name for himself. His father (played by Edmund Gwenn) disapproves of his son’s musical career and wants him to follow in his footsteps as a baker.

Johann falls in love with Rasi (played by Jessie Matthews), the daughter of a prominent conductor, who encourages him to pursue his dreams. Despite his father’s objections, Johann composes a waltz that becomes an instant hit and helps establish his reputation as a composer.

The movie features several musical performances, including the iconic Blue Danube Waltz. It also portrays the political and social tensions of the time, as Vienna is undergoing significant changes due to the rise of nationalism and the decline of the Habsburg Empire.

In the end, Johann and Rasi get married, and his father finally accepts his son’s musical career. The movie concludes with a grand ball where Johann conducts his music, cementing his place in the history of Viennese waltzes.

Overall, “Waltzes From Vienna” is a charming and lighthearted musical film that showcases the talents of its cast and captures the spirit of Vienna during a pivotal moment in its history.

Directors:
Alfred Hitchcock

Writer:
Heinz Reichert, Ernst Marischka, Guy Bolton

Stars:
Edmund Gwenn, Esmond Knight, Jessie Matthews

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Love from a Stranger (1937)

4/5 (1)

“Love from a Stranger” (or “A Night of Terror”) is a British film directed by Rowland V. Lee, released in 1937. The movie is based on the play “Enter Sir John” by Frank Vosper.

The story revolves around a woman named Cecily Harrington (played by Ann Harding), who wins a large sum of money in a sweepstakes. She decides to quit her job and take a long overdue vacation in Europe. While in Monte Carlo, she meets a charming and mysterious man named Bruce Lovell (played by Basil Rathbone) and falls deeply in love with him. After a whirlwind romance, the couple gets married and returns to London to start their new life together.

Once in London, Cecily begins to notice that her husband’s behavior is strange and his personality is different from what she had thought. Bruce becomes controlling and abusive towards Cecily, and she begins to fear for her life. Her suspicions about her husband’s true identity and intentions grow stronger when she discovers that several women who had been engaged to him before Cecily have died under suspicious circumstances.

With the help of her friends, Cecily investigates her husband’s past and uncovers a sinister plot. Bruce is not who he says he is, and he plans to kill Cecily and take her money. In a dramatic showdown, Cecily confronts her husband and narrowly escapes with her life.

The movie ends with Cecily leaving Bruce and starting anew, grateful for her friends’ support and the lesson she learned about trusting the wrong people.

Directors:
Rowland V. Lee

Writer:
Frank Vosper, Agatha Christie, Frances Marion

Stars:
Ann Harding, Basil Rathbone, Binnie Hale

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Of Human Bondage (1934)

4/5 (1)

“Of Human Bondage” is a 1934 drama film directed by John Cromwell and based on the novel of the same name by W. Somerset Maugham. The film stars Leslie Howard as Philip Carey, a young medical student who becomes obsessed with a manipulative and unpredictable waitress named Mildred Rogers (Bette Davis).

The film follows Philip as he struggles to find his place in the world and to come to terms with his unrequited love for Mildred. Mildred, who is in love with another man, uses and abuses Philip for her own purposes, leading him down a destructive path of heartbreak and despair.

As the story unfolds, Philip experiences a series of setbacks, including a failed medical career and a disastrous affair with another woman. Throughout it all, Mildred continues to toy with his emotions and leads him further into a downward spiral.

“Of Human Bondage” is a powerful and emotional film that explores themes of love, obsession, and the destructive power of human relationships. Howard and Davis both deliver strong performances, and the film’s direction and cinematography are also notable. It was a critical and commercial success upon its release, and remains a classic example of early Hollywood melodrama.

Directors:
John Cromwell

Writer:
Lester Cohen, W. Somerset Maugham, Ann Coleman

Stars:
Bette Davis, Leslie Howard, Frances Dee

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The Hunchback of Notre Dame (1923)

4/5 (1)

“The Hunchback of Notre Dame” is a 1923 silent film directed by Wallace Worsley, based on the classic novel by Victor Hugo. The film stars Lon Chaney in the lead role of Quasimodo, a deformed bell-ringer who lives in the bell tower of the Notre Dame cathedral in Paris.

The film follows the story of Quasimodo, who is shunned by society due to his physical appearance, and Esmeralda (Patsy Ruth Miller), a beautiful gypsy dancer who captures his heart. Esmeralda is the target of the evil Archdeacon Frollo (Brandon Hurst), who becomes obsessed with her and orders Quasimodo to kidnap her.

As the story unfolds, Quasimodo becomes a hero, saving Esmeralda from Frollo and his henchmen. The film climaxes with a dramatic scene in which Quasimodo, fighting for his love and honor, leads a revolt against Frollo and his soldiers.

“The Hunchback of Notre Dame” is notable for its stunning visuals and Chaney’s powerful performance as Quasimodo. The film’s themes of love, prejudice, and social injustice still resonate today, and it remains a classic example of early silent cinema. It was a commercial and critical success upon its release and has since been recognized as a landmark film in the history of cinema.

Directors:
Wallace Worsley

Writer:
Victor Hugo, Perley Poore Sheehan, Edward T. Lowe Jr.

Stars:
Lon Chaney, Patsy Ruth Miller, Norman Kerry

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Penny Serenade (1941)

4/5 (1)

“Penny Serenade” is a 1941 romantic drama film directed by George Stevens and starring Irene Dunne and Cary Grant. The film tells the story of a young couple, Julie (Dunne) and Roger (Grant), who fall in love and get married, but struggle with infertility and the challenges of parenthood.

The film is structured as a series of flashbacks, with Julie listening to old records that trigger memories of her past. Through these flashbacks, we see Julie and Roger meet, fall in love, and get married. When they are unable to have children of their own, they decide to adopt a baby girl named Trina. However, their happiness is short-lived when Trina falls seriously ill and dies.

The film then follows Julie and Roger as they try to come to terms with their loss and their relationship is tested by a series of further tragedies. Through it all, their love for each other remains strong, and they are eventually reunited with a young boy they had considered adopting earlier.

“Penny Serenade” is a touching and poignant film that deals with themes of love, loss, and resilience. It features strong performances by Dunne and Grant, and its use of music as a storytelling device adds to the emotional impact of the film. The film was a critical and commercial success and was nominated for several Academy Awards, including Best Actress for Dunne.

Directors:
George Stevens

Writer:
Morrie Ryskind, Martha Cheavens

Stars:
Cary Grant, Irene Dunne, Beulah Bondi

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Street Scene (1931)

4/5 (1)

“Street Scene” is a 1931 film directed by King Vidor, based on the Pulitzer Prize-winning play of the same name by Elmer Rice. The film takes place in a New York City tenement building and follows the lives of several families and individuals living there.

The central plot revolves around the Maurrant family, consisting of Anna (Estelle Taylor), her husband Frank (David Landau), and their teenage daughter Rose (Sylvia Sidney). Anna is unhappily married to Frank, who is abusive and frequently absent. Rose is in love with their neighbor, Sam Kaplan (William Collier Jr.), but her parents disapprove of the relationship due to Sam being Jewish.

As the film progresses, tensions rise between the characters and several subplots emerge. A group of gossiping women spread rumors about their neighbors, a young couple deals with infidelity, and a single mother struggles to provide for her child.

The film’s climax comes when Frank returns home and discovers Anna’s affair with the milkman. In a fit of rage, he kills Anna and is subsequently arrested. The film ends with the community coming together to mourn Anna’s death and reflect on their own lives.

“Street Scene” is notable for its realistic portrayal of urban life in early 20th-century America, as well as its use of naturalistic acting and cinematography. It received critical acclaim and was nominated for several Academy Awards, including Best Picture.

Directors:
King Vidor

Writer:
Elmer Rice

Stars:
Sylvia Sidney, William Collier Jr., Estelle Taylor

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Cyrano de Bergerac (1950)

4/5 (1)

“Cyrano de Bergerac” is a classic play by Edmond Rostand, which has been adapted into various forms including a 1950 film directed by Michael Gordon. The movie stars Jose Ferrer as Cyrano, a brilliant poet and swordsman with a famously large nose who is in love with his beautiful cousin Roxane (Mala Powers).

Despite his talents and wit, Cyrano believes that his appearance makes him unworthy of Roxane’s love. When Roxane falls in love with a handsome but dull soldier named Christian (William Prince), Cyrano agrees to help him win her heart by writing romantic letters and poetry in Christian’s name.

Cyrano’s writing skills succeed in winning Roxane’s heart, but Christian is killed in battle before he can reveal the truth about who wrote the letters. Years later, Cyrano visits Roxane and confesses his love for her, but she only realizes the truth about his feelings for her after his death.

The film adaptation stays true to the play’s original themes of love, courage, and honor, while also showcasing Ferrer’s stunning performance as Cyrano. It received critical acclaim and was nominated for several Academy Awards, including Best Picture.

Directors:
Michael Gordon

Writer:
Edmond Rostand, Brian Hooker, Carl Foreman

Stars:
José Ferrer, Mala Powers, William Prince

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