Crime

Time Table (1956)

4.5/5 (2)

“Time Table” is a 1956 crime film directed by Mark Stevens. The movie revolves around a meticulously planned train heist orchestrated by a group of criminals.

The story follows an ex-convict named Mike, portrayed by Mark Stevens himself, who is coerced into participating in the heist. The gang, led by a ruthless mastermind named Paul Bruckner, played by King Calder, intends to rob a train carrying a large amount of money. The plan involves carefully timing the heist to ensure a seamless execution.

As the gang members prepare for the robbery, tensions rise within the group. Mike becomes increasingly conflicted about his involvement and contemplates double-crossing the criminals. Meanwhile, a determined police detective named George Ryan, portrayed by Jack Klugman, is hot on the trail, determined to thwart the heist.

The film builds suspense as the gang’s plan is set in motion and the train approaches its designated location. However, unexpected complications arise, leading to a thrilling climax filled with action, twists, and intense confrontations.

“Time Table” explores themes of loyalty, betrayal, and the consequences of one’s choices. It offers a classic heist story with a focus on the intricate planning and execution of the crime, as well as the psychological dynamics among the characters involved.

Please note that as an AI language model, I don’t have access to a detailed scene-by-scene summary of the film. The information provided is based on a general understanding of the plot and themes commonly associated with “Time Table.”

Directors:
Mark Stevens

Writer:
Robert Angus, Aben Kandel

Stars:
Mark Stevens, King Calder, Felicia Farr

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The Hoodlum (1951)

4/5 (2)

“The Hoodlum” is a 1951 crime film directed by Max Nosseck. The movie tells the story of Vincent Lubeck, played by Lawrence Tierney, a hardened criminal who returns to his old neighborhood after serving a prison sentence.

Vincent is determined to leave his criminal past behind and start afresh. However, he soon finds himself drawn back into the world of crime due to the influence of his former associates. He becomes involved in a series of robberies and violent encounters, jeopardizing his chances of leading a legitimate life.

As Vincent navigates the dangerous criminal underworld, he struggles with inner conflicts, torn between his desire for redemption and the allure of fast money and power. Along the way, he encounters various characters, including a sympathetic woman who wants to help him reform.

“The Hoodlum” explores themes of redemption, the cyclical nature of crime, and the impact of one’s environment on personal choices. It delves into the psychological turmoil of a man seeking to break free from his criminal past while facing the pressures and temptations of his surroundings.

Please note that as an AI language model, I don’t have access to a detailed scene-by-scene summary of the film. The information provided is based on a general understanding of the plot and themes commonly associated with “The Hoodlum.”

Directors:
Max Nosseck

Writer:
Sam Neuman, Nat Tanchuck

Stars:
Lawrence Tierney, Allene Roberts, Marjorie Riordan

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Two Dollar Bettor (1951)

3/5 (1)

“Two Dollar Bettor” is a 1951 crime film directed by Edward L. Cahn. The movie follows the story of Larry ‘Cubby’ Brooke, played by Steve Brodie, a small-time gambler who finds himself caught in a web of deceit and danger.

Larry is a regular at the racetrack and dreams of hitting it big with his bets. One day, he meets a beautiful woman named Barbara, portrayed by Marie Windsor, who seems to share his passion for gambling. They quickly form a connection and become romantically involved.

However, Larry’s luck takes a turn for the worse when he discovers that Barbara is involved in a scheme to fix horse races. As he gets deeper into the dangerous world of race fixing, Larry realizes that he must find a way to expose the criminals and protect himself.

With the help of a sympathetic police detective, Larry gathers evidence and takes on the powerful and ruthless individuals who control the fixed races. Along the way, he faces threats, confrontations, and even betrayal from those he thought he could trust.

“Two Dollar Bettor” explores themes of trust, redemption, and the allure and dangers of the gambling world. It showcases the darker side of the horse racing industry and the moral choices that individuals face when tempted by easy money.

Please note that as an AI, I don’t have access to a detailed scene-by-scene summary of the film. The information provided is based on a general understanding of the plot and themes commonly associated with the movie.

Directors:
Edward L. Cahn

Writer:
William Raynor, Howard Emmett Rogers

Stars:
John Litel, Marie Windsor, Steve Brodie

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Streets of New York (1939)

3/5 (1)

“Streets of New York” is a 1939 film directed by William Nigh. It is a crime drama set in the bustling streets of New York City. The film follows the story of a dedicated police detective who is determined to bring down a powerful crime syndicate that is terrorizing the city.

As the detective delves deeper into the case, he uncovers a web of corruption, deceit, and violence. He faces numerous challenges and dangers as he navigates the treacherous streets and tries to gather evidence against the criminals. Along the way, he encounters a variety of colorful characters, both good and bad, who provide him with clues and assistance in his mission.

The film showcases the grit and atmosphere of New York City in the late 1930s, depicting the stark contrast between the glamorous surface of the city and the seedy underbelly where crime thrives. It explores themes of justice, loyalty, and the struggle between law enforcement and organized crime.

Unfortunately, as an AI language model, I don’t have access to specific plot details or a comprehensive summary of the film. My knowledge is based on a wide range of sources up until September 2021, and there may be limited information available on more obscure or lesser-known works.

Directors:
William Nigh

Writer:
Robert Hardy Andrews

Stars:
Jackie Cooper, Martin Spellman, Marjorie Reynolds

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Gambler’s Choice (1944)

3/5 (2)

“Gamblers Choice” is a 1944 drama film directed by Frank McDonald. Here’s a summary of the film:

“Gamblers Choice” tells the story of a talented jockey named Joan Wright, played by Barbara Stanwyck. Joan is known for her exceptional horse-riding skills and dreams of winning the Kentucky Derby, the most prestigious horse racing event.

However, Joan’s ambitions are hindered by her association with a group of unscrupulous gamblers led by the cunning Mike Callahan, portrayed by Irving Bacon. These gamblers manipulate Joan and pressure her into throwing races for their financial gain.

Amidst the moral dilemmas and the allure of money, Joan’s integrity is tested. She must decide whether to succumb to the pressure and compromise her values or remain true to her passion for horse racing and strive for genuine success.

As the film progresses, Joan finds solace and support from her loving father, Pop Wright, played by Samuel S. Hinds, who encourages her to follow her heart and resist the temptations of the gambling world.

“Gamblers Choice” explores themes of integrity, loyalty, and the consequences of moral compromise. It depicts the seedy underbelly of the gambling industry and the conflicts faced by individuals who find themselves entangled in its web.

The film showcases Barbara Stanwyck’s talent as she delivers a compelling performance, portraying Joan Wright as a strong-willed and determined woman torn between her love for the sport and the pressures surrounding her.

Ultimately, “Gamblers Choice” presents a moral dilemma and the choices made by its central character in a world filled with corruption and temptation. It offers a glimpse into the complexities of the horse racing industry and the struggles faced by those involved.

Please note that “Gamblers Choice” is not as widely known or discussed as some other films of its time, and there may be limited information available about it.

Directors:
Frank McDonald

Writer:
Maxwell Shane, Irving Reis, Howard Emmett Rogers

Stars:
Chester Morris, Nancy Kelly, Russell Hayden

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Manhattan Tower (1932)

4/5 (1)

“Manhattan Tower” is a 1932 drama film directed by Frank Strayer. The movie revolves around the lives of the residents of an apartment building in Manhattan, highlighting their struggles, relationships, and dreams amidst the backdrop of the Great Depression.

The story focuses on two central characters: Larry Deane, portrayed by Ralph Forbes, and Sue Leonard, played by Irene Ware. Larry is an aspiring architect who dreams of constructing a magnificent skyscraper that will become a symbol of his success. Sue is a talented singer with aspirations of stardom.

Larry’s ambition leads him to secure a contract to design and build the Manhattan Tower, a high-rise that will showcase his architectural talent. However, he faces numerous obstacles, including financial challenges and the manipulation of a wealthy businessman named John Howell, played by H.B. Warner.

Meanwhile, Sue faces her own trials as she strives to achieve her singing career. She attracts the attention of Tony Martinelli, played by Leon Waycoff, a charming but unscrupulous music promoter who promises to make her a star. Sue must navigate the murky world of show business and make difficult choices to pursue her dreams.

As the film unfolds, the lives of Larry, Sue, and their neighbors become intertwined. The characters grapple with personal and professional setbacks, face moral dilemmas, and experience the harsh realities of the Depression era.

“Manhattan Tower” explores themes of ambition, perseverance, and the pursuit of dreams against the backdrop of a challenging and uncertain time. It reflects the resilience of individuals in the face of adversity and the sacrifices they make to reach their goals.

The movie also captures the atmosphere of 1930s New York City, showcasing the urban landscape, the diverse characters inhabiting the city, and the social and economic struggles of the time.

Overall, “Manhattan Tower” is a captivating drama that weaves together the stories of its characters, examining their aspirations, relationships, and the effects of the Depression on their lives. It provides a glimpse into the challenges faced by individuals during a transformative period in American history.

Directors:
Frank R. Strayer

Writer:
David Hempstead, Norman Houston

Stars:
Mary Brian, Irene Rich, James Hall

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Roar of the Press (1941)

3/5 (1)

“Roar of the Press” is a 1941 comedy-drama film directed by Phil Rosen. The film follows the story of Steve Mathews (played by Wallace Ford), a hardworking and ambitious reporter for a struggling newspaper called The Gazette.

In the film, The Gazette is on the verge of bankruptcy and desperately needs a big scoop to boost its circulation and save the paper from going under. Steve seizes an opportunity when he stumbles upon a murder case involving a wealthy businessman named Robert Grant (played by Jed Prouty). Determined to make a name for himself and save the paper, Steve convinces his editor to let him cover the case.

As Steve investigates the murder, he finds himself in a web of intrigue, corruption, and dangerous situations. Along the way, he teams up with his resourceful girlfriend and fellow reporter, Jane Mallory (played by Rochelle Hudson), to uncover the truth and expose the criminals behind the crime.

With his quick wit and persistence, Steve manages to outsmart the real culprits and gather the evidence needed to solve the case. His reporting not only brings justice to the murdered man but also leads to the downfall of a powerful criminal organization.

“Roar of the Press” combines elements of comedy, drama, and mystery, offering a fast-paced and entertaining story set in the world of newspaper journalism. The film reflects the challenges faced by journalists and the importance of investigative reporting in uncovering the truth.

Overall, “Roar of the Press” is a lively and engaging film that showcases the power of the press and the dedication of journalists in their pursuit of truth and justice.

Directors:
Phil Rosen

Writer:
Albert Duffy, Alfred Block

Stars:
Jean Parker, Wallace Ford, Jed Prouty

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Impact (1949)

4/5 (2)

“Impact” is a 1949 film noir directed by Arthur Lubin. The film tells the story of a man named Walter Williams (played by Brian Donlevy) whose life takes a dramatic turn after a failed murder attempt.

Walter Williams, a successful industrialist, becomes the target of a murder plot devised by his wife, Irene (played by Helen Walker), and her lover, Jim Torrance (played by Tony Barrett). The plan is for Walter to die in a car accident and make it look like an accident caused by drunk driving.

However, Walter survives the crash and disappears, taking on a new identity in a small town. He falls in love with a kind-hearted woman named Marsha (played by Ella Raines) and begins a new life, working as a garage mechanic.

As Walter settles into his new existence, he becomes determined to seek justice and expose the truth behind the murder attempt. He works with a determined district attorney (played by Charles Coburn) to gather evidence against his wife and her lover.

The film builds tension as the investigation unfolds, leading to a courtroom showdown where the truth is finally revealed. The climax of the film unveils unexpected twists and turns, resulting in a satisfying resolution.

“Impact” is known for its engaging plot, intricate character dynamics, and atmospheric noir visuals. It explores themes of betrayal, revenge, and redemption while keeping the audience on the edge of their seats.

Overall, “Impact” is a classic film noir that delivers suspense, mystery, and a compelling story of one man’s fight for justice and a second chance at life.

Directors:
Arthur Lubin

Writer:
Dorothy Davenport, Jay Dratler

Stars:
Brian Donlevy, Ella Raines, Charles Coburn

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Scarlet Street (1945)

4.67/5 (3)

“Scarlet Street” is a 1945 film noir directed by Fritz Lang and starring Edward G. Robinson, Joan Bennett, and Dan Duryea. The film tells the story of a lonely and unappreciated bank cashier named Christopher Cross (Robinson), who falls in love with a beautiful young woman named Kitty March (Bennett).

Kitty is a femme fatale who leads Christopher down a path of deception and betrayal, convincing him to use his meager savings to finance her extravagant lifestyle and her affair with a manipulative and abusive con man named Johnny (Duryea). Christopher becomes so infatuated with Kitty that he takes up painting to impress her, and she eventually persuades him to sell his paintings as her own, taking the credit and the money for herself.

As Christopher’s obsession with Kitty grows, he becomes increasingly desperate to impress her and provide for her. But when Johnny’s criminal activities catch up with him, Christopher is framed for murder, and his life spirals out of control. In the end, he confronts Kitty and Johnny and takes drastic action to try to regain control of his life.

“Scarlet Street” is a haunting and psychologically complex film that explores themes of love, obsession, betrayal, and the human need for validation and recognition. The film is noted for its moody and atmospheric visuals, its stark and uncompromising storytelling, and its powerful performances, particularly from Edward G. Robinson as the tragic protagonist.

Directors:
Fritz Lang

Writer:
Georges de La Fouchardière, André Mouëzy-Éon, Dudley Nichols

Stars:
Edward G. Robinson, Joan Bennett, Dan Duryea

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12 Angry Men (1957)

4.67/5 (3)

“12 Angry Men” is a drama film released in 1957, directed by Sidney Lumet and starring Henry Fonda, Lee J. Cobb, and Jack Warden.

The story centers around twelve jurors who are tasked with deciding the fate of a young man accused of murdering his father. At the start of the film, the jury is deadlocked, with eleven jurors convinced of the young man’s guilt and only one juror, Juror 8 (Henry Fonda), holding out for a not guilty verdict.

As the jurors debate and argue over the evidence, biases, and prejudices are brought to light, and tensions rise among the group. Through a series of intense and emotional conversations, Juror 8 slowly persuades the other jurors to reconsider their positions and to take a closer look at the evidence.

As the deliberations continue, it becomes clear that there are flaws in the prosecution’s case, and that the young man may not be guilty after all. Ultimately, the jurors are able to reach a unanimous decision, and justice is served.

Overall, “12 Angry Men” is a powerful and thought-provoking film that explores themes of justice, prejudice, and the importance of critical thinking. Its focus on the dynamics of group decision-making and the complexities of the legal system make it a timeless classic that still resonates with audiences today.

Directors:
Sidney Lumet

Writer:
Reginald Rose

Stars:
Henry Fonda, Lee J. Cobb, Martin Balsam

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The Zero Hour (1939)

3/5 (1)

“The Zero Hour” is a crime drama film released in 1939, directed by Sidney Salkow and starring Otto Kruger, Karen Verne, and Cedric Hardwicke.

The story centers around a wealthy businessman named John Ashmore (Otto Kruger), who is kidnapped by a group of criminals led by a man named Steve (Cedric Hardwicke). The kidnappers demand a ransom of $500,000, and threaten to kill Ashmore if their demands are not met.

As the police race against time to locate the missing businessman, Ashmore’s wife Sylvia (Karen Verne) takes matters into her own hands and hires a private detective named McBride (Ralph Bellamy) to help her track down her husband.

Through a series of twists and turns, the characters eventually uncover the truth behind the kidnapping and work together to bring the criminals to justice.

Overall, “The Zero Hour” is a suspenseful and well-crafted crime drama that keeps audiences on the edge of their seats from beginning to end. Its themes of greed, deception, and redemption make it a compelling and thought-provoking film that still resonates with audiences today.

Directors:
Sidney Salkow

Writer:
Garrett Fort

Stars:
Frieda Inescort, Otto Kruger, Adrienne Ames

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Million Dollar Weekend (1948)

3/5 (1)

“Million Dollar Weekend” is a film noir released in 1948, directed by Gene Raymond and starring Gene Raymond, Osa Massen, and Francis L. Sullivan.

The story follows three men – Van Morgan (Gene Raymond), Bill Whiting (Richard Denning), and Nicholas Lawrence (Francis L. Sullivan) – who are bored with their mundane lives and decide to stage a fake kidnapping to get their hands on a million-dollar ransom.

Their plan quickly unravels as they encounter a series of unexpected obstacles and betrayals, including a suspicious police inspector (George Coulouris) and a femme fatale (Osa Massen) who may be playing her own game.

As tensions mount and the situation becomes increasingly dangerous, the men must rely on their wits and each other to survive the weekend and make it out with the money.

Ultimately, “Million Dollar Weekend” is a tense and suspenseful thriller that explores themes of greed, deception, and the lengths people will go to for a taste of excitement and adventure.

Directors:
Gene Raymond

Writer:
Charles Belden, Matty Kemp, Gene Raymond

Stars:
Gene Raymond, Osa Massen, Francis Lederer

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Blonde Ice (1948)

3/5 (2)

“Blonde Ice” is a film noir directed by Jack Bernhard and released in 1948. The movie follows the story of Claire Cummings (played by Leslie Brooks), a beautiful and ambitious society columnist who will stop at nothing to get what she wants.

Claire’s ruthless ambition leads her to marry a wealthy businessman, but when he finds out about her many affairs, he threatens to divorce her and cut her off financially. In response, Claire decides to murder him and frame it as a suicide.

As the investigation into her husband’s death begins, Claire’s true nature is gradually exposed, and she is forced to commit more and more heinous acts to protect her secrets. Along the way, she manipulates and seduces several men, including her former lover, a police detective, and a wealthy businessman.

The film is a gripping and suspenseful thriller that explores the dark side of human nature and the lengths that some people will go to achieve their goals. Leslie Brooks gives a standout performance as Claire, a chilling and manipulative femme fatale who will do whatever it takes to get what she wants.

Directors:
Jack Bernhard

Writer:
Kenneth Gamet, Whitman Chambers, Dick Irving Hyland

Stars:
Robert Paige, Leslie Brooks, Russ Vincent

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City of Missing Girls (1941)

3/5 (1)

“City of Missing Girls” is a 1941 American crime drama film directed by Elmer Clifton and starring H.B. Warner, Astrid Allwyn, and John Archer. The story follows a police detective named Johnny Mack Brown (played by John Archer) who is tasked with investigating a string of disappearances of young women in a big city. As he delves deeper into the case, he uncovers a complex web of corruption and organized crime involving a powerful gangster named Scarface, who is linked to the abductions. Brown must use all his skills and wits to outsmart Scarface and his henchmen and rescue the missing girls before it’s too late. The film was produced by Producers Releasing Corporation (PRC) and released by United Artists.

Directors:
Elmer Clifton

Writer:
Oliver Drake, George Rosener

Stars:
H.B. Warner, Astrid Allwyn, John Archer

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The Panther’s Claw (1942)

3/5 (1)

“The Panther’s Claw” is a 1942 American mystery film directed by William Beaudine and starring Sidney Blackmer, Rick Vallin, and Byron Foulger. The story follows a private detective named Ted Shayne (played by Sidney Blackmer) who is hired to investigate a series of mysterious deaths at a remote mountain lodge. The guests at the lodge include a wealthy heiress, her greedy relatives, and a variety of suspicious characters with motives for murder. As Shayne delves deeper into the case, he uncovers a sinister plot involving a valuable diamond, a hidden identity, and a dangerous killer on the loose. The film was produced by Monogram Pictures and released by Allied Artists Pictures.

Directors:
William Beaudine

Writer:
Fulton Oursler, Martin Mooney

Stars:
Sidney Blackmer, Rick Vallin, Byron Foulger

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