Comedy

No Time For Sergeants (1955)

4/5 (1)

“No Time for Sergeants” is a comedy film released in 1955, directed by Mervyn LeRoy and based on a novel by Mac Hyman. The movie follows the story of Will Stockdale, a good-natured and somewhat naive country boy from Georgia who is drafted into the U.S. Army during the Korean War.

Will’s lack of knowledge and understanding of the military hierarchy and rules creates many humorous situations. He becomes the center of attention in his barracks, as his antics draw the attention of his drill sergeant, the base psychiatrist, and the base commander.

Despite his lack of sophistication, Will’s unorthodox approach to military life wins over his fellow soldiers and the higher-ups. However, Will’s unconventional behavior ultimately leads to his discharge from the army.

The movie is a satire on military life and bureaucracy and features strong performances from Andy Griffith, who plays Will Stockdale, and Don Knotts, who plays Corporal Manual Dexterity. The film was a commercial success and was later adapted into a Broadway play and a television series.

Directors:
Mervyn LeRoy

Writer:
John Lee Mahin, Ira Levin, Mac Hyman

Stars:
Andy Griffith, Myron McCormick, Nick Adams

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Neighbors (1920)

4/5 (1)

“Neighbors” is a short story by American author and humorist, Robert Benchley. It was first published in the New Yorker magazine in 1920.

The story is about a man who is trying to get some work done in his apartment, but he is constantly interrupted by the noise coming from his neighbor’s apartment next door. The neighbor is a violinist who practices for hours on end every day, and the noise is driving the man insane.

The man tries various tactics to get his neighbor to stop playing the violin, but nothing seems to work. He tries talking to him, banging on the walls, and even playing his own gramophone at full volume to drown out the sound of the violin.

Finally, the man decides to take drastic action and calls the police to report the noise. When the police arrive, they find that the neighbor has been dead for several days, and the violin has been playing on a phonograph that was left on repeat.

In the end, the man realizes that he was the only one who could hear the noise, and that he had been driven to the brink of insanity by his own imagination. The story is a humorous take on the concept of “the grass is always greener on the other side,” and the idea that we often complain about things that we don’t fully understand.

Directors:
Edward F. Cline, Buster Keaton

Writer:

Buster Keaton, Edward F. Cline

Stars:
Buster Keaton, Edward F. Cline, Jack Duffy

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Mr. Smith Goes to Washington (1939)

4/5 (1)

“Mr. Smith Goes to Washington” is a 1939 American political comedy-drama film directed by Frank Capra and starring James Stewart, Jean Arthur, and Claude Rains. The film tells the story of Jefferson Smith (James Stewart), a naive and idealistic young man who is appointed to the United States Senate by a corrupt political machine.

At first, Smith is overwhelmed by the majesty and history of the Senate, but soon discovers that the political system is rife with corruption and graft. Smith’s attempts to expose the corruption are met with resistance from the political machine, led by Senator Joseph Paine (Claude Rains), who initially took Smith under his wing.

Smith is aided by his cynical and tough-talking assistant, Clarissa Saunders (Jean Arthur), who helps him navigate the treacherous waters of Washington politics. Together, they launch a filibuster on the Senate floor to try to prevent the corrupt bill from being passed.

Throughout the film, Smith’s integrity and idealism are contrasted with the greed and corruption of the political system. The film also portrays the power of the media and the importance of a free press in holding politicians accountable.

In the end, Smith’s filibuster captures the attention of the public, and his idealism and honesty win out over the corrupt political machine. The film is a classic example of Capra’s optimistic and patriotic style, with its celebration of American values and democracy. It was a critical and commercial success upon its release, and remains a beloved classic of American cinema.

Directors:
Frank Capra

Writer:
Sidney Buchman, Lewis R. Foster, Myles Connolly

Stars:
James Stewart, Lean Arthur, Claude Rains

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My Man Godfrey (1936)

4/5 (1)

“My Man Godfrey” is a 1936 American screwball comedy film directed by Gregory La Cava and starring William Powell and Carole Lombard. The film tells the story of a wealthy but eccentric family, the Bullocks, who take on a new butler, Godfrey (William Powell), who turns out to be much more than he appears.

Godfrey is a well-educated and cultured man who has fallen on hard times and is living as a homeless man. When he is discovered by Irene Bullock (Carole Lombard), she hires him to be the family’s butler. Godfrey is initially reluctant, but eventually agrees to the job, finding himself in the middle of the Bullocks’ wacky and unpredictable world.

As Godfrey navigates the quirky and dysfunctional family, he becomes particularly close to the strong-willed Irene, who develops a crush on him. However, Godfrey must also contend with Irene’s jealous sister, Cornelia (Gail Patrick), who tries to sabotage their relationship.

Throughout the film, Godfrey’s wit and intelligence shine through, even as he navigates the various zany situations thrown his way by the Bullocks. The film also tackles issues of class and social status, as Godfrey’s humble origins contrast with the extravagant wealth of the Bullocks.

In the end, Godfrey is revealed to be much more than just a butler, and his true identity and motivations are uncovered. The film is a classic example of a screwball comedy, with its fast-paced dialogue, physical comedy, and over-the-top characters. It was a critical and commercial success upon its release, and remains a beloved classic of the genre.

Directors:
Gregory La Cava

Writer:
Morrie Ryskind, Eric Hatch, Zoe Akins

Stars:
William Powell, Carole Lombard, Alice Brady

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My Favorite Brunette (1947)

3/5 (1)

“My Favorite Brunette” is a 1947 American comedy film directed by Elliott Nugent and starring Bob Hope and Dorothy Lamour. The film tells the story of Ronnie Jackson (Bob Hope), a baby photographer, who dreams of becoming a detective like his idol, Sam McCloud (Alan Ladd).

One day, a beautiful woman named Carlotta Montay (Dorothy Lamour) enters his studio and asks for his help. She wants him to deliver a roll of film to her boyfriend, who is a private investigator, but Ronnie accidentally gets the wrong film and finds himself in the middle of a murder plot.

Ronnie is mistaken for the private investigator and is kidnapped by a group of criminals who want him to find a valuable item hidden in the mansion of the wealthy Baron Montay (Reginald Denny). With the help of Carlotta, Ronnie tries to uncover the truth and save his own life.

Throughout the film, Ronnie imagines himself as a hard-boiled detective, with Lamour playing the role of his femme fatale. The movie is filled with comedic moments and witty one-liners from Bob Hope, making it a classic example of a film noir spoof. In the end, Ronnie manages to save the day and gets the girl, but not before enduring a series of comical misadventures.

Directors:
Elliott Nugent

Writer:
Edmund Beloin, Jack Rose, Bob Hope

Stars:
Bob Hope, Dorothy Lamour, Peter Lorre

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My Wife’s Relations (1922)

3/5 (1)

My Wife’s Relations is a silent comedy film directed by and starring Buster Keaton. The film was released in 1922 and follows the story of a newlywed couple, Buster and his wife, who have to deal with her large and overbearing family.

The film begins with Buster and his wife getting married and driving away in their car. Along the way, they encounter a series of mishaps, including a flat tire, which leads them to seek help from her family.

Upon arriving, Buster is greeted by a large and rowdy group of in-laws who make it clear that they don’t think much of him. He struggles to fit in and win their approval, but their antics and constant interference make it nearly impossible.

Despite the challenges, Buster’s love for his wife never wavers, and he eventually comes up with a plan to win her family over. He stages a fake robbery, which leads to a series of hilarious misunderstandings and ultimately brings the family together.

The film is known for its physical comedy and Keaton’s impressive stunts, including a memorable scene where he jumps onto a moving train. It also explores themes of family dynamics and the challenges of fitting in with a new family.

Overall, My Wife’s Relations is a classic comedy that showcases Buster Keaton’s talent as a filmmaker and comedian. It is a must-see for fans of silent film and comedy.

Directors:
Edward F. Cline, Buster Keaton

Writer:
Buster Keaton, Edward F. Cline

Stars:
Buster Keaton, Wallace Beery, Monte Collins

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His Girl Friday (1940)

5/5 (1)

“His Girl Friday” is a classic screwball comedy film directed by Howard Hawks, released in 1940. The movie is based on the play “The Front Page” by Ben Hecht and Charles MacArthur, which was first adapted for the screen in 1931.

The story revolves around Hildy Johnson (played by Rosalind Russell), a talented and ambitious newspaper reporter who is about to leave her job and get married to her fiancé Bruce Baldwin (played by Ralph Bellamy). However, her ex-husband and editor of the newspaper, Walter Burns (played by Cary Grant), is determined to win her back and keep her on the job.

Walter manipulates the situation and convinces Hildy to cover one last story before leaving, which involves the case of a man who is about to be executed for murder. As Hildy investigates the case, she realizes that the man is innocent and becomes determined to prove it.

In the midst of all this, Hildy and Walter’s old romantic feelings resurface, causing chaos and confusion for everyone involved. The fast-paced, witty dialogue and comedic situations keep the audience on their toes as the story unfolds.

In the end, Hildy’s dedication to the truth and Walter’s determination to win her back lead to a satisfying conclusion for all characters involved, both professionally and romantically. “His Girl Friday” is considered a classic of the screwball comedy genre and is still beloved by audiences today.

Directors:
Howard Hawks

Writer:
Charles Lederer, Ben Hecht, Charles MacArthur

Stars:
Cary Grant, Rosalind Russell, Ralph Bellamy

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Hard Luck (1921)

3/5 (1)

“Hard Luck” is a 1921 comedy film directed by and starring Buster Keaton. The film follows the misadventures of a young man named Buster (played by Keaton), who has just been released from prison.

Buster’s first stroke of “hard luck” occurs when he is kicked out of his boarding house and forced to live on the streets. He soon meets a young woman (played by Virginia Fox), who he falls in love with. However, she is already engaged to a wealthy man, leading to a series of comedic misunderstandings and mishaps.

Buster’s misfortunes continue as he accidentally steals a watch, leading to a chase by the police and a dramatic rescue involving a high-rise building. The film culminates in a chaotic and hilarious chase sequence involving Buster, the police, and a parade.

As with many of Keaton’s films, “Hard Luck” features physical comedy and stunts, including a memorable scene in which Buster climbs a building and hangs from a clock face.

Overall, “Hard Luck” is a classic example of Keaton’s comedic style, combining slapstick humor with clever storytelling and impressive stunts. The film showcases Keaton’s talent as a writer, director, and performer, and remains a beloved classic of silent cinema.

Directors:
Edward F. Cline, Buster Keaton

Writer:
Edward F. Cline, Buster Keaton

Stars:
Buster Keaton, Virginia Fox, Joe Roberts

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Good Night Nurse! (1918)

3/5 (1)

“Good Night Nurse” is a 1918 silent comedy film directed by Roscoe “Fatty” Arbuckle and starring Arbuckle himself alongside Buster Keaton and Al St. John. The film tells the story of a young man named Roscoe who is hired as a private nurse to care for a wealthy man named John Stuyvesant who is pretending to be ill to avoid paying his debts.

Roscoe is initially unaware of the scheme but soon discovers the truth and becomes embroiled in a series of comedic misadventures as he tries to keep Stuyvesant’s creditors at bay while also trying to woo a pretty nurse named Mary. Meanwhile, Stuyvesant’s scheming wife and her lover plot to get their hands on his money.

As the story unfolds, Roscoe and his friends engage in a series of hilarious antics, including mistaken identities, slapstick fights, and madcap chases. The film is notable for its fast-paced physical comedy and for showcasing the comedic talents of both Arbuckle and Keaton, who would later become a major Hollywood star in his own right.

Overall, “Good Night Nurse” is a classic silent comedy that exemplifies the humor and charm of the era. It is a lighthearted romp filled with laughs and hijinks that will entertain audiences of all ages.

Directors:
Roscoe ‘Fatty’ Arbuckle

Writer:
Roscoe ‘Fatty’ Arbuckle

Stars:
Roscoe ‘Fatty’ Arbuckle, Buster Keaton, Al St. John

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Doll Face (1945)

4/5 (2)

“Doll Face” is a 1945 musical comedy film directed by Lewis Seiler and starring Vivian Blaine, Dennis O’Keefe, and Carmen Miranda.

The film tells the story of Burlesque performer Doll Face Carroll (Blaine), who dreams of becoming a Broadway star. She enlists the help of talent agent Mike Hannegan (O’Keefe), who sees potential in her but also wants her to remain true to her burlesque roots.

As Doll Face rises to stardom, she must navigate the challenges of show business, including a rival performer who seeks to sabotage her career. Along the way, she falls in love with Hannegan but must choose between her career and her heart.

The film features several musical numbers, including performances by Miranda, who plays herself as a guest star in one of Doll Face’s shows.

“Doll Face” is a lighthearted and entertaining musical comedy that captures the glamour and excitement of show business in the 1940s. Blaine delivers a charming performance as the determined and talented Doll Face, and the film’s catchy musical numbers and colorful costumes add to its appeal. The film remains a beloved classic of the genre and a must-see for fans of musical comedies.

Directors:
Lewis Seiler

Writer:
Gypsy Rose Lee, Leonard Praskins, Harold Buchman

Stars:
Vivian Blaine, Dennis O’Keefe, Perry Como

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Daydreams (1922)

4/5 (1)

“Daydreams” is a 1922 silent comedy film written, directed, and starring Buster Keaton.

The film follows the story of a young man, played by Keaton, who falls asleep and dreams of being transported to a magical world. In this world, he finds himself in various surreal situations, including being chased by a giant spider and performing a high-wire act.

Throughout his dream, the young man also falls in love with a beautiful woman, played by Renée Adorée. He must rescue her from danger, including being held captive by a group of tribal warriors and being pursued by a dangerous train.

As the young man’s dream comes to an end, he awakens to find himself in the real world, but with a newfound sense of adventure and bravery.

“Daydreams” is a classic silent comedy film filled with Keaton’s trademark physical humor and clever visual gags. The surreal dream sequences showcase Keaton’s creativity and imagination, and the film remains a must-see for fans of silent comedy and the work of Buster Keaton.

Directors:
Edward F. Cline, Buster Keaton

Writer:
Roscoe ‘Fatty’ Arbuckle, Edward F. Cline, Buster Keaton

Stars:
Buster Keaton, Renée Adorée,Edward F. Cline

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Cosmo Jones, Crime Smasher (1943)

3/5 (1)

“Cosmo Jones, Crime Smasher” is a crime-comedy film released in 1943, directed by James Tinling and starring Frank Graham as the titular character, Cosmo Jones. The film follows Cosmo, a bumbling police officer, as he tries to solve a series of crimes in his city.

Cosmo is initially assigned to guard a wealthy businessman named Mr. Grisson (played by Jerome Cowan), who is receiving threatening letters. However, things quickly become more complicated when Grisson is found dead and Cosmo becomes the prime suspect. Despite his incompetence, Cosmo is determined to clear his name and find the real killer.

As he investigates the case, Cosmo encounters a colorful cast of characters, including a seductive nightclub singer, a suspicious janitor, and a gang of thieves. Along the way, he stumbles into several slapstick situations, including a memorable scene in which he accidentally destroys a car while attempting to apprehend a suspect.

Despite his many mistakes, Cosmo eventually manages to crack the case and bring the criminals to justice. The film ends with Cosmo receiving a promotion and the admiration of his fellow officers.

Overall, “Cosmo Jones, Crime Smasher” is a lighthearted and entertaining film that blends elements of crime drama and comedy. The film showcases the comedic talents of Frank Graham and the enduring appeal of the crime genre in American cinema.

Directors:
James Tinling

Writer:
Michael L. Simmons, Walter Gering, Frank Graham

Stars:
Frank Graham, Edgar Kennedy, Gale Storm

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Charlie Chaplin Festival (1938)

4/5 (1)

“Charlie Chaplin Festival” is a compilation film released in 1938 by United Artists, featuring some of the most iconic moments from Charlie Chaplin’s films. The film was created to celebrate Chaplin’s 25 years in the film industry.

The film is divided into several segments, each showcasing a different aspect of Chaplin’s career. The segments include clips from some of his most famous films, such as “The Kid,” “City Lights,” and “Modern Times.”

In addition to the film clips, “Charlie Chaplin Festival” also includes interviews with Chaplin himself, as well as with some of his colleagues in the film industry. These interviews provide insight into Chaplin’s creative process and his approach to filmmaking.

The film also includes a musical score, composed by Chaplin himself, which adds to the overall mood and atmosphere of the film.

Overall, “Charlie Chaplin Festival” is a tribute to one of the greatest comedians in the history of cinema, showcasing the enduring appeal and timelessness of Chaplin’s work. It serves as a reminder of the impact that Chaplin had on the film industry and on popular culture as a whole.

Directors:
Charles Chaplin

Writer:
Charles Chaplin

Stars:
Charles Chaplin, Albert Austin, Lloyd Bacon

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Charlie Chaplin’s Mabels Strange Predicament (1914)

3/5 (1)

“Mabel’s Strange Predicament” is a silent comedy film produced by Keystone Studios and released in 1914, directed by Mabel Normand and starring Charlie Chaplin. The film is notable for being the first appearance of Chaplin as his iconic character, The Tramp.

The film opens with Mabel (played by Normand) getting locked out of her hotel room in the middle of the night, wearing only a nightgown and slippers. She wanders around the hotel, trying to find a way back into her room, but all the doors are locked. She then encounters The Tramp, a wandering vagabond, who helps her sneak back into her room through a window.

After Mabel falls asleep, The Tramp accidentally wakes her up by snoring loudly. Mabel tries to get him to leave, but he refuses, insisting that he has nowhere else to go. The two then engage in a series of comedic hijinks, including The Tramp stealing a cop’s uniform to sneak out of the hotel, and Mabel pretending to be a wealthy patron in order to avoid paying her bill.

The film ends with The Tramp being chased by a mob of angry people after accidentally setting a dog on fire. Mabel intervenes and helps him escape, and the two part ways.

Overall, “Mabel’s Strange Predicament” is a lighthearted and humorous film that showcases the early comedic talents of Charlie Chaplin and Mabel Normand.

Directors:
Mabel Normand

Writer:
Charles Chaplin, Henry Lehrman

Stars:
Mabel Normand, Charles Chaplin, Chester Conklin

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Charlie Chaplin’s Kids Auto Race At Venice (1914)

3/5 (1)

“Kids Auto Race At Venice” is a short silent comedy film released in 1914 and directed by Henry Lehrman. The film stars Charlie Chaplin in one of his earliest roles, playing a version of his iconic Tramp character.

The film takes place at a children’s auto race in Venice, California, where a film crew is shooting a documentary. Charlie Chaplin’s character, referred to as the “Little Tramp,” is a bystander who keeps getting in the way of the film crew’s shots.

As the children’s race gets underway, Chaplin’s character becomes increasingly enamored with the camera, vying for attention and trying to get his face on film. He begins to interfere with the race, tripping over wires and distracting the drivers.

Despite the chaos he causes, Chaplin’s character ultimately manages to steal the show, with the filmmakers realizing that his antics would make for a great comedic short film. In the final scene, Chaplin’s character rides off into the sunset, chased by a mob of children.

“Kids Auto Race At Venice” is considered a groundbreaking film in the history of comedy, as it marked the first appearance of Charlie Chaplin’s iconic Tramp character on screen. The film is also notable for its use of improvisation and its blending of documentary footage with comedic elements. It remains a beloved classic of silent film comedy to this day.

Directors:
Henry Lehrman

Writer:
Henry Lehrman, Charles Chaplin

Stars:
Charles Chaplin, Henry Lehrman, Gordon Griffith

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