Black & White Movies

Comedy

Inspector Hornleigh Goes To It (1941)
4.5/5 (2)

“Inspector Hornleigh Goes To It” (also known as “Mail Train”) released in 1941. Here’s a summary of the film:

“Inspector Hornleigh Goes To It” is a British comedy-mystery film and the sequel to the 1939 film “Inspector Hornleigh.” The movie follows the comedic adventures of Inspector Hornleigh, played by Gordon Harker, and his sidekick Sergeant Bingham, played by Alastair Sim.

In this installment, Inspector Hornleigh and Sergeant Bingham are assigned to investigate a series of thefts occurring on a mail train. The train, which transports valuable packages and confidential mail, has become the target of a notorious criminal gang. The two detectives must uncover the identity of the thieves and put an end to their activities.

As Hornleigh and Bingham delve deeper into the case, they encounter various suspects and clues, leading them on a humorous and sometimes perilous journey. Their investigation takes them through a web of intrigue, with unexpected twists and turns along the way.

With their unique blend of wit, charm, and unorthodox investigative methods, Inspector Hornleigh and Sergeant Bingham work tirelessly to unravel the mystery and bring the culprits to justice. Along the way, they engage in witty banter and comedic mishaps that add to the film’s light-hearted tone.

“Inspector Hornleigh Goes To It” combines elements of comedy and mystery, creating an entertaining and engaging film. The chemistry between Harker and Sim as the bumbling detectives adds to the film’s charm, making it an enjoyable watch for fans of classic British cinema.

Overall, the film offers a delightful blend of humor, suspense, and detective work as Inspector Hornleigh and Sergeant Bingham navigate the world of crime and intrigue on the mail train.

Directors:
Walter Forde

Writer:
Val Guest, Frank Launder, J.O.C. Orton

Stars:
Gordon Harker, Alastair Sim, Phyllis Calvert

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Peck’s Bad Boy (1934)
4/5 (3)

“Peck’s Bad Boy” is a 1934 comedy film directed by Edward F. Cline. The film revolves around the misadventures of a mischievous young boy named Bill Peck, nicknamed “Peck’s Bad Boy.”

Bill Peck, played by Jackie Cooper, is a troublemaker known for his pranks and mischief. He lives with his strict but loving father, Henry Peck (played by Thomas Meighan), and his patient and understanding mother, Hilda Peck (played by Dorothy Peterson).

Throughout the film, Bill gets into various scrapes and humorous situations, causing chaos and exasperation for his family and the people around him. His antics include playing practical jokes, skipping school, and causing disruptions wherever he goes.

Despite his mischievous behavior, Bill has a good heart and often learns valuable lessons along the way. He forms a friendship with a new girl in town, Sally (played by Mitzi Green), and together they embark on adventures and get into even more trouble.

As the story progresses, Bill’s antics reach a climax, and he finds himself in a situation that forces him to take responsibility for his actions. Through these experiences, Bill learns the importance of honesty, respect, and understanding.

“Peck’s Bad Boy” is a lighthearted and family-friendly comedy that showcases the spirited adventures of a mischievous young boy. The film highlights the challenges and joys of childhood and the growth that can come from learning life lessons.

The character of Peck’s Bad Boy originated in a popular series of books and became a cultural phenomenon, leading to multiple film adaptations. The 1934 version with Jackie Cooper remains one of the most well-known interpretations, capturing the youthful energy and mischievousness of the beloved character.

Directors:
Edward F. Cline

Writer:
George W. Peck, Bernard Schubert, Marguerite Roberts

Stars:
Jackie Cooper, Thomas Meighan, Jackie Searl

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Roar of the Press (1941)
3/5 (1)

“Roar of the Press” is a 1941 comedy-drama film directed by Phil Rosen. The film follows the story of Steve Mathews (played by Wallace Ford), a hardworking and ambitious reporter for a struggling newspaper called The Gazette.

In the film, The Gazette is on the verge of bankruptcy and desperately needs a big scoop to boost its circulation and save the paper from going under. Steve seizes an opportunity when he stumbles upon a murder case involving a wealthy businessman named Robert Grant (played by Jed Prouty). Determined to make a name for himself and save the paper, Steve convinces his editor to let him cover the case.

As Steve investigates the murder, he finds himself in a web of intrigue, corruption, and dangerous situations. Along the way, he teams up with his resourceful girlfriend and fellow reporter, Jane Mallory (played by Rochelle Hudson), to uncover the truth and expose the criminals behind the crime.

With his quick wit and persistence, Steve manages to outsmart the real culprits and gather the evidence needed to solve the case. His reporting not only brings justice to the murdered man but also leads to the downfall of a powerful criminal organization.

“Roar of the Press” combines elements of comedy, drama, and mystery, offering a fast-paced and entertaining story set in the world of newspaper journalism. The film reflects the challenges faced by journalists and the importance of investigative reporting in uncovering the truth.

Overall, “Roar of the Press” is a lively and engaging film that showcases the power of the press and the dedication of journalists in their pursuit of truth and justice.

Directors:
Phil Rosen

Writer:
Albert Duffy, Alfred Block

Stars:
Jean Parker, Wallace Ford, Jed Prouty

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No, No, Nanette (1940)
3/5 (1)

“No, No, Nanette” is a musical film released in 1940, directed by Herbert Wilcox and starring Anna Neagle, Richard Carlson, and Victor Mature.

The story follows a wealthy businessman named Jimmy Smith (Richard Carlson), who is married to his socialite wife, Sue (Helen Broderick). In order to dispel rumors of his infidelity, Jimmy agrees to fund a Broadway show produced by his young ward, Nanette (Anna Neagle).

As the production gets underway, Jimmy finds himself drawn to Nanette, and the two begin a flirtatious romance. Meanwhile, Nanette’s own romantic entanglements with three men – Tom (Victor Mature), Billy (Roland Young), and Larry (Billy Gilbert) – complicate matters even further.

Through a series of misunderstandings and comedic mishaps, the characters eventually find themselves in a series of hilariously improbable situations, including a chase through a hotel lobby and a frantic search for a lost dog.

Overall, “No, No, Nanette” is a lighthearted and entertaining musical that features a number of catchy songs and memorable dance sequences. Its themes of love, romance, and mistaken identity make it a classic example of the screwball comedy genre.

Directors:
Herbert Wilcox

Writer:
Frank Mandel, Otto A. Harbach, Vincent Youmans

Stars:
Anna Neagle, Richard Carlson, Victor Mature

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Romance on the Run (1938)
4/5 (1)

“Romance on the Run” is a 1938 American film directed by Gus Meins and starring Joan Fontaine, Douglass Montgomery, and Alan Marshal. The movie is a romantic comedy that follows a young woman who finds herself caught up in a whirlwind adventure with two men.

The film follows Joan, a secretary who is engaged to a wealthy businessman named Don. However, when she meets a charming artist named Tony, she begins to question her feelings and finds herself torn between the two men. Things become even more complicated when she accidentally picks up a valuable diamond necklace, which leads to a series of misadventures and misunderstandings.

As Joan tries to figure out her feelings and navigate her way through the chaos, she finds herself pursued by both Don and Tony, each determined to win her heart. In the end, she must choose between the stability and security of Don or the passion and excitement of Tony.

“Romance on the Run” is a lighthearted and fun romantic comedy that showcases the talents of its cast and the charm of its storyline. With its witty dialogue and clever plot twists, it is a must-see for fans of classic Hollywood romance.

Directors:
Gus Meins

Writer:
Jack Townley, Eric Taylor

Stars:
Donald Woods, Patricia Ellis, Grace Bradley

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The Girl from Monterrey (1943)
3/5 (1)

The Girl from Monterrey is a musical comedy film released in 1943, directed by Wallace Fox. The movie follows the story of Gloria (played by Armida), a talented singer from the small town of Monterrey who dreams of becoming a star in the big city of Mexico City.

Gloria’s chance comes when she meets a famous singer named Jorge del Campo (played by Luis Alcoriza), who offers her a job singing in his nightclub. With the help of Jorge and his manager, Gloria becomes an overnight sensation and quickly rises to fame.

However, Gloria’s success attracts the attention of the jealous and conniving Rosita (played by Maria Luisa Zea), who is also a singer and wants to steal Gloria’s spotlight. Rosita hatches a plan to ruin Gloria’s reputation and career, but Gloria’s loyal friends and allies come to her aid to help her overcome the obstacles in her way.

As Gloria’s fame continues to grow, she must navigate the ups and downs of the entertainment industry and confront the challenges that come with her newfound success. Ultimately, Gloria learns valuable lessons about the true nature of friendship and the importance of staying true to oneself.

The Girl from Monterrey is a fun and lively musical comedy that showcases the talents of Armida as a singer and actress, as well as the vibrant culture and music of Mexico.

Directors:
Wallace Fox

Writer:
Robert Gordon, George Green, Arthur Hoerl

Stars:
Armida, Edgar Kennedy, Veda Ann Borg

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The Yanks Are Coming (1942)
3/5 (1)

“The Yanks Are Coming” is a 1942 American propaganda film directed by Alexis Thurn-Taxis and produced by Warner Bros. The film is a tribute to the American military and its role in World War II. The movie is divided into three parts, each focusing on a different branch of the armed forces.

The first part of the film focuses on the Army, showcasing its training, equipment, and soldiers. It highlights the discipline and dedication of the soldiers as they prepare for war, and it shows the various types of weapons and vehicles they use.

The second part of the film highlights the Navy and its role in protecting the country from invasion. It shows the various types of ships and submarines used by the Navy, as well as the training and skill required to operate them. The film also includes footage of naval battles, including the sinking of German U-boats.

The third and final part of the film is dedicated to the Air Force, which is shown engaging in bombing raids and dogfights with enemy planes. The film highlights the bravery and skill of the pilots, as well as the technological advancements that have made air combat more efficient and deadly.

Throughout the film, the message is clear: the American military is strong, well-equipped, and ready to defend the country against any threat. The film’s title, “The Yanks Are Coming,” is a rallying cry that emphasizes the determination and resolve of the American people to win the war and protect their freedom.

Directors:
Alexis Thurn-Taxis

Writer:
Tony Stern, Lew Pollack, Edward E. Kaye

Stars:
Henry King, Mary Healy, Jack Heller

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Borrowed Wives (1930)
3/5 (1)

“Borrowed Wives” is a pre-code romantic comedy film released in 1930. The story follows two friends, Dick and Jerry, who both have fiancées but are struggling financially. To solve their financial troubles, they devise a plan to borrow each other’s fiancée in order to seduce a wealthy woman and gain access to her fortune.

However, complications arise when both men fall in love with the woman they are supposed to seduce, and their true identities are eventually revealed. The women are initially upset but eventually forgive their fiancés and the two couples reconcile, with a happy ending for all.

The film was directed by Frank R. Strayer and stars Rex Lease as Dick, Vera Reynolds as Jerry’s fiancée, and Marguerite De La Motte as the wealthy woman they try to seduce. The film is notable for its portrayal of casual infidelity and its frank discussion of sexuality, which was unusual for films of its time.

Directors:
Frank R. Strayer

Writer:
Scott Darling

Stars:
Rex Lease, Vera Reynolds, Paul Hurst

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Girl o’ My Dreams (1934)
3/5 (1)

“Girl o’ My Dreams” is a 1934 American romantic musical comedy film directed by Ray McCarey and starring Mary Carlisle, Edward Nugent, Sterling Holloway, and Charles Starrett. The film follows the story of a small-town girl named Sally (Mary Carlisle), who wins a beauty contest and heads to Hollywood to become a movie star. Along the way, she meets and falls in love with a struggling musician named Bob (Edward Nugent).

When Sally arrives in Hollywood, she quickly realizes that the world of movie stardom is not what she expected. She faces a series of disappointments and setbacks, including a sleazy talent agent who tries to exploit her. But through it all, she remains determined to succeed and make a name for herself in the industry.

Meanwhile, Bob is also struggling to make it in the music business. He and his band play gigs at various clubs around town, but they can’t seem to catch a break. When Sally and Bob meet, they immediately hit it off and begin a romance. But their relationship is tested when Sally is offered a movie contract and has to choose between her career and her love for Bob.

In the end, Sally decides to turn down the movie contract and stay with Bob. They both realize that their love for each other is more important than fame and fortune. The film ends with Sally and Bob performing a musical number together, as they set out to make their dreams come true together.

“Girl o’ My Dreams” is a light-hearted and entertaining romantic comedy that captures the glamour and excitement of Hollywood in the 1930s. It showcases the talents of its young stars and features several catchy musical numbers that will keep audiences tapping their toes.

Directors:
Ray McCarey

Writer:
George Waggner

Stars:
Mary Carlisle, Sterling Holloway, Edward J. Nugent

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Too Many Women (1942)
3/5 (1)

“Too Many Women” is a 1942 American comedy film directed by Bernard B. Ray and starring Neil Hamilton, June Lang, and Joyce Compton. The film revolves around a detective named Clive Reed (Neil Hamilton) who is hired to investigate the murder of a wealthy businessman. Reed’s investigation leads him to a hotel where he discovers that the victim had been involved with a number of women, all of whom have a motive for the crime.

As Reed interviews the various women, he finds himself drawn to a young woman named Nancy Lee (June Lang), who he believes is innocent of the crime. With Nancy’s help, Reed sets out to solve the case and bring the real killer to justice.

Throughout the film, Reed encounters a number of eccentric characters, including a dim-witted hotel clerk, a manipulative actress, and a nosy reporter. Despite the many obstacles in his way, Reed perseveres in his investigation, and ultimately manages to solve the case and clear Nancy’s name.

Overall, “Too Many Women” is a lighthearted and entertaining film that combines elements of comedy, mystery, and romance. It features a talented cast of actors and a well-crafted plot that keeps the audience guessing until the very end.

Directors:
Bernard B. Ray

Writer:
Eddie Davis

Stars:
Neil Hamilton, June Lang, Joyce Compton

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The Girl from Calgary (1932)
3/5 (1)

In this 1930 film called “The Girl from Calgary”, a French-Canadian girl named Nona (played by Fifi D’Orsay) is a talented bronc rider and nightclub singer. One evening, an ambitious young man named Duke (played by Monroe Owsley) watches her perform and becomes impressed by her talent. Duke believes that Nona has what it takes to become a star on Broadway and convinces her to accompany him to New York City.

Once they arrive in New York, Nona begins to gain popularity and soon becomes a successful Broadway star. However, Duke realizes that he is being pushed aside by the greedy producers who see Nona as their own personal gold mine. Duke becomes disillusioned with the Broadway scene and decides to leave Nona to pursue his own dreams.

As Nona’s fame and fortune continue to grow, she begins to feel the emptiness of her success without Duke by her side. Eventually, she realizes that she loves Duke and that he was the one who truly believed in her talent from the beginning. In the end, Nona gives up her Broadway career to be with Duke and they both return to Canada to start a new life together.

“The Girl from Calgary” is a romantic drama that explores the themes of ambition, love, and sacrifice in the pursuit of success.

Directors:
Phil Whitman

Writer:
Lee Chadwick, Leon D’Usseau, Sid Schlager

Stars:
Fifi D’Orsay, Paul Kelly, Robert Warwick

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Chasing Trouble (1940)
3/5 (1)

“Chasing Trouble” is a 1940 comedy film directed by Howard Bretherton and starring Frankie Darro and Marjorie Reynolds.

The movie tells the story of Jimmy Smith (Frankie Darro), a young man who dreams of becoming a detective. However, he is currently working as a dishwasher at a hotel. One day, while washing dishes, Jimmy overhears a group of gangsters plotting to rob the hotel. He immediately alerts the police, but they don’t believe him because of his reputation for telling tall tales.

Determined to prove himself, Jimmy sets out to catch the robbers on his own. He enlists the help of his girlfriend, Peggy (Marjorie Reynolds), and together they follow the gangsters’ trail, which leads them to a deserted warehouse. There, they discover the gang’s hideout and witness the robbers in action.

Jimmy and Peggy manage to escape and go to the police with the evidence they’ve gathered. With the help of the young detective, the police are able to arrest the gangsters and Jimmy finally earns the respect of his peers.

“Chasing Trouble” is a light-hearted and entertaining film that showcases the talents of Frankie Darro and Marjorie Reynolds. The movie features a mix of comedy, action, and suspense, making it an enjoyable watch for fans of classic cinema.

Directors:
Howard Bretherton

Writer:
Mary Eunice McCarthy

Stars:
Frankie Darro, Marjorie Reynolds, Mantan Moreland

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Second Chorus (1940)
3/5 (1)

“Second Chorus” is a musical comedy film directed by H.C. Potter and released in 1940. The movie follows the story of two musicians who are competing for the affections of a young woman while trying to make it big in the music industry.

The film’s protagonists are Danny O’Neill (Fred Astaire) and Hank Taylor (Burgess Meredith), two friends who are both talented musicians. They are both vying for the attention of Ellen Miller (Paulette Goddard), a beautiful and ambitious young woman who wants to become a successful band manager.

As Danny and Hank try to make it big in the music industry, they get mixed up with a group of gangsters who are interested in using their talents for illegal purposes. The two friends must work together to navigate these dangerous situations while also trying to win over Ellen.

Throughout the film, there are several musical performances, including several dance numbers featuring Fred Astaire’s signature moves. The film also features a number of comedic moments, particularly between Danny and Hank, who have a bit of a love-hate relationship.

In the end, Danny and Ellen end up together, and Danny and Hank’s music career takes off. The film ends with the two friends playing a triumphant performance, cementing their success in the music industry.

Overall, “Second Chorus” is a lighthearted musical comedy that showcases the talents of Fred Astaire and Paulette Goddard. The film’s music, dance numbers, and comedic moments make it an enjoyable watch for fans of classic Hollywood cinema.

Directors:
H.C. Potter

Writer:
Frank Cavett, Elaine Ryan, Ian McLellan Hunter

Stars:
Fred Astaire, Paulette Goddard, Artie Shaw

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Escape to Paradise (1939)
3/5 (1)

“Escape to Paradise” is a romantic drama film directed by Erle C. Kenton and released in 1939. The movie tells the story of a woman who escapes from her dull life and finds love and adventure on a tropical island.

The film’s protagonist is Ellen Graham (Bobby Breen), a young girl who lives a sheltered life with her wealthy family. Feeling stifled by her privileged existence, Ellen decides to run away and seek adventure.

She ends up on a tropical island, where she meets a group of people who are also seeking to escape their pasts. Among them is Tony (Robert Cummings), a handsome musician who falls in love with Ellen.

As Ellen and Tony’s relationship blossoms, they face challenges from the other island residents who disapprove of their romance. Ellen also struggles with the decision to return home to her family or stay on the island with Tony.

In the end, Ellen chooses to stay on the island with Tony and embrace the life of adventure she has found. The film ends with the two of them sailing off into the sunset, happy and in love.

Overall, “Escape to Paradise” is a classic romantic drama that explores the themes of love, adventure, and finding one’s true self. The film features strong performances by Bobby Breen and Robert Cummings and stunning tropical scenery that transports the audience to a far-off paradise.

Directors:
Erle C. Kenton

Writer:
Ian McLellan Hunter, Herbert Clyde Lewis, Weldon Melick

Stars:
Bobby Breen, Kent Taylor, Marla Shelton

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Midnight Manhunt (1945)
4/5 (2)

“Midnight Manhunt” is a mystery-thriller film directed by William C. Thomas and released in 1945. The movie follows the story of a manhunt for a killer who is on the loose in a large city.

The film’s protagonist is James A. Brooks (William Gargan), a private detective who is hired to investigate the murder of a famous actor. The police believe that the actor’s assistant, Steve Randall (George Zucco), is the killer and are actively searching for him.

As James investigates the case, he discovers that there may be more to the story than what the police initially believed. He begins to suspect that the killer may be someone else entirely and sets out to uncover the truth.

As the manhunt for Steve Randall intensifies, James races against the clock to solve the case before an innocent man is wrongfully convicted. Along the way, he encounters a cast of suspicious characters, including a shady nightclub owner and a femme fatale.

In the end, James is able to solve the case and catch the real killer, who is revealed to be someone unexpected. The film ends with James triumphant and the city safe once again.

Overall, “Midnight Manhunt” is a classic whodunit-style thriller that keeps the audience guessing until the very end. The film features a strong performance by William Gargan as the determined detective and a cast of memorable characters.

Directors:
William C. Thomas

Writer:
David Lang

Stars:
William Gargan, Ann Savage, Leo Gorcey

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Black & White Series

Series List A-Z

Top Rated Moveis

1 Great Expectations (1946)
5/5 (1)
2 Strike (1925)
5/5 (1)
3 The Passion of Joan of Arc (1928)
5/5 (1)
4 Intolerance (1916)
5/5 (1)
5 The Phantom Carriage (1921)
5/5 (1)
6 Charade (1953)
5/5 (1)
7 His Girl Friday (1940)
5/5 (1)
8 Rebecca (1940)
5/5 (1)
9 The Intruder (1962)
5/5 (1)
10 Arizona Gunfighter (1937)
5/5 (1)